For the second release on World of Worlds, we’re pleased to host one of the most iconic link-ups of Q2 2026: the debut EP Ride Me from notorious party-starters Bella Sarris & 131bpm.
Recorded over a vermouth-tinged weekend in 131bpm’s bedroom studio in Berlin, the tracks carve out a space in the post-prog landscape that escape rigid genre classification. What would the rekordbox tags be? X-rated? Tech House? Electro House? Cunty? Modern? Percussive? Robotic? Maybe all of the above..
A1 Let’s Ride fuses sultry vocal wisps with nasty effects, psychedelic stab licks, a crunchy electro bassline and bleepy low end, forming a self-assured arrangement that balances playful tension with dancefloor directness. On remix duties, Wigs leans into his fast-emerging signature sound, stripping the original back to its essentials and honing in on the groove. Delicate effects, steady percussion, and subtle bass weight are paired with his trademark dub sweeps, resulting in a versatile tool for any hour of the night.
On Do Me, the rhythmic prowess of Bella and 131bpm truly shines. Spangled FX hits, vocal chops and mechanical synth elements form the backbone, while monstrous subs slither beneath the bassline(s). Sidestepping genre norms once again, it’s the track’s gritty texture and broiling atmosphere that define it more than any neat classification.
For her Phantom Frequency version, Alírio raises the tempo and dubs it out into a relentless, tightly wound arrangement centred on a singular pulse, with the titular title motif looping over the low end. Percussion drifts in and out, molding the original into a seductive, high-impact club cut.
Label head Eoin DJ delivers a final take, twisting the B1 into a sleazed out rework. Blending modern sound design with a classic sensibility, the result is a nocturnal, weighty slice of house that nods to golden-era New York, East London electro, and everything in between while preserving the original’s elusive allure. Enter another world.
