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We get three nicely different mixes of ‘Getting Colder’ in all. The A-side is taken up by the club mix, a classic New York deep house groove with chunky piano chords and Monet’s confident vocal performance. The flip begins with the original, a slower version but still effortlessly groovy, bringing its soul, jazz, and R&B influences to the fore. US techno’s man of the moment Byron the Aquarius completes the set by turning the track inside out with shuffling hats, snapping machine funk snares and a bubbling bass, making it even more impressive by exposing its moving parts and giving them a neat polish.