Nearly six months since his ND debut, Baumb returns with Slinky Wink — four standout club trax. His sound? Peak-time swagger — trippy, razor-sharp, and fully locked. Weighty low-end, chopped vocals, breaks & alien FX — all hitting in just the right way.
A1 Chop Stop has a mood. Echoing calls accelerate the dance floor, a track built on stripped-back, filtered breaks & a low-end orb guiding us through the smoke. A speed garage–inflected bassline throbs beneath it all — moody, sensual, restless. An intense vocal commands the space, not just leading but seducing, shepherding the listener towards ecstasy. It’s a sound we’re still uncovering, but Baumb is beginning to reveal it.
Spheres is a bouncy gem, driven by sharp hats and crisp snares, with a throbbing bassline that teases tension on the dancefloor. The main element is a bouncy, acidic jaw-harpy sound that wriggles through the mix, injecting an uplifting energy. UFO-like FX swirl through, while a vocal chop drenches ecstasy. Dub techno–esque chords layer in, adding a dusty, atmospheric depth that keeps you locked in and moving.
On the B-side, first up we get a stripped-back but mind-bending track: Sug Nite. Squelchy low-end pressure and sci-fi pads stretch out wide, while a squelchy, confused bass writhes beneath — lopsided and psychedelic. Old-school vocal chops get flipped into something fresh, and bongo-leaning drums roll through the sides, panned for full effect. Minimal on the surface, but twisted deep within.
You’d need a track this big — and this weird — to carry a title like Reptilian Humanoid. Rolling and high-grade from the jump: punchy basslines, fuzzy yet bright chords, and propulsive drums. A groover at its core, while FX drip through like vintage sci-fi and a spacey arp colors the horizon. Warped vocals haunt the mix — off-world and fully club-tuned.
