Following a debut EP release on Brazilian record label Yellow Island Records and a hypno-house debut album on colourful L.A imprint 100% Silk, California producer Etari readies four air-fresh cuts of club melodia designed for those deep moments in the dance on Running Out Of Steam.

Aesthetics of both artist and label are a heaven-made match; favouring melodic grooves and broken-beats that trigger blissed-out experiences both spiritual and physical. ‘Chemistry’ makes use of broken Baltimore rhythms and blends them with warped, supernatural vocals, feeding into both worlds of melancholy and paradise.

‘Cinnamon Spice’ maintains the tempo with a fairy-light cut of footwork-electro – a sequence that begs to be lost in, angelic strobes of light beaming onto a looping trip cinematic sound – before the lo-fi house rhythms of ‘Lavender Luv’ cast our minds back to a simpler time when the sun was setting and the sand was still warm between our toes.

‘Sweet Pea’ completes the release with a wubby piece of blissful Balearic; no sudden movements, swaying in the turquoise vibe as teardrops roll into the ocean.
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Cet article Etari – Cinnamon Spice [Running Out Of Steam] est apparu en premier sur Bolting Bits.

Staying true to the label aesthetic of blending killer club grooves with introspective atmospherics, ‘ALONE’ is a cut of trance-licked house, M1 chords providing a disco-ball euphoria across the minimal, yet vibrant, soundscape. ‘Desires’ sees GREETINGS blend his admiration for Italo into a heavenly, 80s pop-ballroom experience designed for when the lights go on.

The B-side brings out the producer’s electro influence; ‘That Was A Weird Summer’ is as Italo as it is otherworldly – a sound similar to what might be heard if aliens discovered disco – before ‘Don’t Die Wondering’ closes the curtain with a cut of stirring and transcendental analog-electro that’s as rough as it is smooth.

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Cet article GREETINGS – Desires [Running Out Of Steam] est apparu en premier sur Bolting Bits.

Adam BFD first burst onto the scene with his colourful, emotive driven productions; making a name for himself as an artist bridging the gap between electro, breaks and house. Now based in Paris, his work continues to put a nostalgic and animated spin on his far-reaching influences, from London to Mexico City and beyond. In the time since Adam’s introduction a series of singles and a recent EP on Running Out of Steam has seen the musician further refine and develop his sonic palette and Embrace coming by way of Distant Horizons is no exception. The five track EP covers many life cycles and no matter how mature, Adam’s tracks never lose the ability to make people move.

Adam starts by embracing the unknown in Le Voyage with its frenetic breaks and glistening melodies opening up a pathway to the stars, before space opens and time resides in Flotus; a special heart-searching moment, balanced by springly, danceable grooves. I Mean It gently unravels with tangible percussion and daydreaming textures, vocal loops becoming increasingly hypnotic as time stands still.

It’s not just Adams pacing that’s impressive, but his ability to turn real world sounds into fully functional elements heard in title track Embrace. Water moves freely over tightly packed drums and arpeggiated synths; a piece of tranquility ready when needed. Which Gate follows with pensive field recordings and cloud-formations; jerking breaks leaping back and forth in another special EP from a producer just getting started.

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Cet article Adam BFD – Digital Tales [Distant Horizons] est apparu en premier sur Bolting Bits.