Paris Archives ~ Bolting Bits

Von Riu – Mappa Mundi [Discoteca]

Florent — Thu, 15 Jun 2023 13:00:06 +0000

Buzzing to announce the first extremely sweaty Cristofeu x Von Riu collaboration. Please welcome Von Cristeuf.

Discoteca takes you to its parallel universe with a new hypnotic-o-cathartic EP. A blend of the best steamy atmosphere and grooving psychoactive beats from Cristofeu with the wet depth and tech power from Von Riu. An enlightening bass soundscape shaped for the naughtiest basements. Von Cristeuf 1, a blue leather sofa tech banger introducing a Mappa Mundi shroomy forest journey followed by Hit and Von Cristeuf 2, two peak high shivers trackers designed for sunset wildest kinks ending with two extra horny percussive 5am Trip-ers.

Pre-order.

https://youtu.be/9NMOvgAHFjI

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Camion Bazar – Alteration [Jaki Records]

Florent — Mon, 30 Jan 2023 14:00:28 +0000

Camion Bazar deliver their psychedelia infused ‘Alteration’ EP via their own Jaki Records this February, comprising five original tracks from the Paris-based duo.

Camion Bazar is a collaborative project from Benedetta Bertella and Romain Hemono who over the past few years have been developing the project as DJ’s, stage curators and producers. Their tripped-out twist on House, Techno, Electronica and more has come via their own Jaki Records label and here the story continues with their latest EP, ‘Alteration’, pencilled for release in early 2023 and laden with original vocals from Benedetta throughout. The project will be released alongside the pairs debut live show at La Machine du Moulin Rouge in Paris.

Title-cut ‘Alteration’ opens and sees the pair merge warped synths, expansive dub echoes and bumpy organic drums alongside psychedelic guitar lines and hypnotic vocal chants. ‘Horizon’ follows elongated sub bass tones, intricately intertwined stabs, airy vocals and dubbed out keys before ‘Venosa’ employs playful drum breaks, an amalgamation of gnarly, resonant synth lines, bouncy bass groove and trippy spoken word vocal lines throughout.

‘Divinorum’ then sees the pair offer up a more classic house sound courtesy of crunchy drums, airy chord sequences, bubbling metallic arpeggios and sweeping atmospherics. ‘Limonia Acida’ then completes the package with jazzy keys, choppy bass stabs, a heavily swung drum workout and choppy vocal cuts ebbing and flowing throughout the composition.

Pre-order.

https://youtu.be/fhpuk4ZnweA

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Mawimbi – Fôli Kadi (Daniel Monaco Afrobeat Version) [Mawimbi Records]

Florent — Mon, 10 Jan 2022 14:00:40 +0000

A few months after the release of Mawimbi first album “Bubbling”, they decided to have some of its tracks remixed by artists who have been dear friends and collaborators of Mawimbi for a long time (Pouvoir Magique, Jo Bissa, Marius & Cesar, Daniel Monaco, Mr. Boom, Afro Pupo).

A mix of genres and influences, these reworks give a new dynamic to our tracks, from downtempo acid house to Nigerian-influenced afrobeats.

Pre-order.

https://youtu.be/qA3AkuIvzUY

Mawimbi – Fôli Kadi (Daniel Monaco Afrobeat Version) (https://youtu.be/qA3AkuIvzUY)

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Awz – Where Is Awz? [Human Disease Network]

Florent — Wed, 15 Dec 2021 14:00:31 +0000

After his releases on Housewax and Charbon label, Awz is back with 4 raw house tracks to bang the box on Human Disease Network.

Still hidden behind the mask, music is what cares.

Pre-order.

https://youtu.be/aifEvDROu1o

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Keumel – Organic Lazers [Diffuse Reality Records]

Florent — Wed, 24 Nov 2021 14:00:32 +0000

The trail of breadcrumbs Parisian artist Keumel has left behind him thus far leaves the possibilities wide open for his debut album. The result of a residency away from the distractions of the city, The Quiet Face Of A Silent Storm arrives on Diffuse Reality in an electrifying rush of machine funk – a consolidated creation sprung from a focused period of inspiration.

Keumel’s journey into electronic music production began during an extended period staying in San Francisco 10 years ago, during which time he connected more deeply with the American club music tradition. On his return to Paris he became immersed in the city’s party scene with his Jekyll&Hyde crew, as well as forging vital connections in Brussels. Following a breakthrough track released on respected house label Local Talk, Keumel went on to self-release a number of EPs before hooking up with Chez Damier’s Inner Balance Records and the LumieresLaNuit and Bleu Nuit labels.

Throughout these releases the Keumel sound has taken shape as a fluid distillation of influences ranging from Detroit techno and electro via Chicago and European acid to the many manifestations of bass music from the UK and elsewhere, not to mention his parents’ voluminous, eclectic record collection and the pervading echoes of French touch which soundtracked his youth.

Since his uncle first passed him seminal 90s albums from the likes of Roni Size, Massive Attack and Aphex Twin, Keumel has been on a journey of discovery which culminates in this honest, faithful collection of tracks. It’s a physical experience which holds true to the dancefloor, but in line with his influences, these are also pieces of electronica to be listened to and savoured – much more than simple DJ tools. And in true album style, it moves through varying degrees of energy and intensity – at times forthright and driving, elsewhere dreamy and gentle.

In Keumel’s life outside the music, there were chaotic factors which couldn’t help but feed into the resulting tracks. In that sense, it’s a faithful document of where he’s reached on his own journey – an album as a moment in time, tacitly reflecting on what has passed and gearing up for ideas and inspiration yet to come.

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Mawimbi – Kakraa (feat. K.O.G) [Mawimbi Records]

Florent — Thu, 13 May 2021 13:00:10 +0000

Is that the stove boiling we hear? No. That “Bubbling” you hear is the debut album from French collective Mawimbi on their self-titled label. The Paris-based group have garnered a reputation for releasing some of the most forward-thinking afro-inspired cuts over the past 8 years. They’ve opened our ears to musicians such as Afriquoi, Loya and Onipa and have remixed a handful of fantastic artists themselves. Now, they are releasing their own album of original material. The title of the album is “Bubbling” and it refers to the “many ideas, encounters and projects launched by the collective over the past eight years”. The album pays homage to many different styles such as afrobeat, highlife, South African bubblegum pop, Malian music, maloya while hybridizing these genres with others from across the Atlantic such as cumbia, Caribbean dancehall and dub to name a few.

Today we’re premiering a cut from the album entitled “Kakraa” which features K.O.G (one half of Onipa). The influence here is wholly 70’s highlife, merged with some more modern disco flavours sprinkled throughout. This is the third single premiering from the album and is a tribute to the African diaspora, singing about being able to go back to the Motherland one day. The groove is impeccable and vocals are perfectly complemented by the instrumentation throughout. We can see this getting played out at your favourite daytime parties (which we can finally have some hope about) but also just listening to it in the comfort of your own home. This album has that quality throughout where all the tracks transcend the dancefloor and are versatile pieces of music able to stand on their own.

We’re stoked about this album and you should be too!

Pre-order.

https://youtu.be/8JwPCCC28m4

Mawimbi – Kakraa (feat. K.O.G) (https://youtu.be/8JwPCCC28m4)

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Eternal Love – Mas Que Bonita (+ Gusto Edit) [Pompelope]

Florent — Fri, 09 Apr 2021 12:45:53 +0000

Paris’ crew Pompelope releases its first compilation the 16th of April : Foule Contact is about freeing ourselves from barriers and finding ourselves together, through music in its more profound way. Going from the virtual world to real-life and connect all together in each and every one of those tracks. Foule Contact is the idea that the current atmosphere won’t last forever, and that we already expect our reunion, cradled with tenderness and all the energy accumulated over the last few months.

This compilation is about 15 eclectic and danceable tracks. Gathering a broad spectrum of genres, from House to Italo-Disco, Afro cosmic or Leftfield.

The Milan-based duo Eternal Love, delivers a great edit of a track unearthed from a 1987 slasher movie. As a result, a Hi-NRG catching anthem with a heady chorus.

Pre-order.

https://youtu.be/-Eyac3B3JPs

Eternal Love – Mas Que Bonita (+ Gusto Edit) (https://youtu.be/-Eyac3B3JPs)

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Times & Tunes with S3A

Florent — Thu, 04 Jun 2020 12:51:08 +0000

Parisian House and Disco maestro S3A aka Sampling As An Art has been a force to be reckoned with for many years now, racking up releases on Hold Youth, Dirt Crew, Phonogramme, Lazare Hoche Records, Times Are Ruff and his own S3A Records, as well as being a resident DJ at Concrete before it’s closure and now holding a residency at the infamous Rex Club. Here alongside his new EP on Cinthie’s new 803 Crystal Grooves ‘Collective Cuts’ label he talks with us about his influences, times of the past and present and shares some tunes…

INTERVIEW

Hi S3A, thanks for taking the time talk with us, for those people who may still not be aware of your work could you please tell us who you are, where you’re from and what you do?
Hello BB team!!!, it is a real pleasure to talk to you again! Hope you are all well and everything will get back to normal quickly now, all of this has been already too long :/ … So, my name is Maxime and I am French, from Paris. I run a musical project called S3A (like Sampling As An Art) since 2011. The main aim is to assume our (electronic and urban music I mean) roots like Disco and Funk. On this basis I make dynamic and musical house music. I want to be as diverse (I made an ambient album recently for instance), energetic and musical as possible.

Your name S3A is an abbreviation of Sampling As An Art, could you tell us a little more about what you mean by this and how influential you feel sampling has been on your art as a whole?
Even if « Sampling » is the basis of the project, I want to change the purpose of the samples and stay plural. That’s why I love, using the Jazz Funk melodies and harmonies, taking them somewhere else. Moreover, those harmonies are really different and complex (because they come from Jazz), those are so inspiring! The process is often the same, I listen a LOT of music at any time of the day and sometimes I spot little parts of songs I really love. So, I take and transpose them into « new themes », from acoustic to electronic music in other words. I add groove, melodies, dynamic and a lot of « sound ». For me the « sound » in itself is a part of the melody. So, Samples are for me, at the same time, really important in front of the mix and invisible like foundations in the grooves. That’s why I take a lot of time cleaning / dirtying / layering the samples (and my sound) to make my own material. I used to use an MPC (3000), for its excellent groove and sound, but it was nearly impossible to use with long samples and I preferred to keep my workflow up with Ableton and treating the audio with a strong audio chain.

Could you talk us through your history with electronic music, based on the wide array of styles you play, which reach from 90’s rave era House and Techno through to early Disco and Hip Hop, I presume you’ve been collecting, listening to and playing music for quite some time?
Well, electronic music is the common theme of my life. It made me discover all the musical universes I’m inspired by. I’ve always been really curious about music (digging who made this, who produced that, the bassist of this record…), and I think all the music is linked by the inspiration. We’re all inspired by others. That’s why I want to make tracks with their own personalities, not only edits… And that’s, why I make tracks from scratch too. But let’s get back to the story ahhaha 😊 . My musical origins are Jazz funk and Rhythm and Blues from the 70s… In 1992 I crossed the road of two English teenagers. They gave me a tape recorded at the rave event called ‘mind body and soul’ at « The Universe » during the second summer of love… There was only written DJ Tanith and DJ Producer on it… From there I never stopped to look for this planet alignment, everything seems to have a sense now… So, when I opened my TV on the same year, and I saw the video clips of Sven Vaeth « Accident in paradise » and The Prodigy « Out of space » my mind was definitively converted to Electronic music 😊… After that, eclectic labels like F Communication or Force Inc or Rising High Records became very important for me. Not only for poum/chack tracks but for meditation music or extreme music too… To conclude on this, yes, all my productions are influenced by those … and it permits me to go everywhere I want (sometimes it is a problem when I have to make a very specific track ahahah)

Are there any particular records or artists you would cite as heavily influencing you and your work over the years? Could you please share with us three in particular that have been important to you over the years?
Oh yeah with pleasure, Wagon Christ / Luke Vibert: he is the real master of the samples. He can do everything he wants, and he was there since the beginning on different styles… I am so respectful for his works… For instance:

Akufen / Todd Edwards: Ok I know those are two different guys, but their work on samples and the emotions that emerges from their works are close. The grooves of Todd Edwards are my definition of house music. The emotions of both are why I believe in this music. I love their works : For instance :

yeah !!! I know the last one has never been released and was only done for mixing… Please Todd, release it!!!! One day I will use it as an intro for one of my mixes… Laurent Garnier: Ok, I don’t know where to begin with him… Spiritual Father, friend, inspiration source since « Go to sleep » … Somebody who is accessible and brilliant, fun and hard at work at the same time… It is really hard to find artists as good at Djing as Composing… The guy we are talking about is clearly one of them. Every time you hear him on the decks, you go back home with something: Moment, track, technical highlight… Clearly, I love this guy, he is so inspiring and high skilled at the same time so for me.

Your new EP entitled ‘Pages Epilogue’ we’re told concludes the story of your half acoustic half electronic album ‘Pages’, could you tell us a little about this album project, how you went about constructing it. What instruments were used for the acoustic and electronic elements and how you see this EP concluding the project as whole?
During 2017, I was been invited to the Red Bull Studio to make 5 tracks for them. As I could use the studio for one entire week, I decided to experiment with recording acoustic instruments and we searched for a band. We decided to make a majority of semi acoustic tracks. In this band we had a keyboard player (Pierre) for the Rhodes, Wurley, prophet 6…, a bass player (Raphael), and a drummer (Nicolas). Those guys were really important because as they usually tour with Leroy Burgess, they completely understood what I wanted to do. It was a living dream for me, composing, letting them play/jam, sampling from those studio sessions…the best life for me. This album was thought like a semi acoustic playable (on the grid) album , and everything worked so well !!! even one year after the release, I have messages from people who just bought it, and it is exactly what I wanted : Staying after the « news wave », good things last over time and it is the case here fortunately.

This new EP will come via Cinthie’s 803 Crystal Grooves Collective Cuts, although the album was released on Dirt Crew, could you tell us how you began working with Berlin’s Cinthie as you featured on the label inaugural release also. Have you been friends for some time and planning to work together or was it more of a spontaneous happening?
I loved working with Peter from Dirt Crew, he is very professional and kind. He always has good experienced thoughts. We made the album and a remix EP together and they worked very well. I still had two acoustic tracks to use because we wanted a 10-12 Max tracks album.
I know Cinthie for may be 6 years now, we met most of the time in train stations or airports on gigs transportation. Each time was a true pleasure, like meeting an old friend with common tastes 😊. I have a massive respect for her works and activities. She is talented, hardworking, kind, funny, and persistent: A true one, in other words! So, when she told me about her new sublabel « 803 Crystal Grooves Collective Cuts » and the first Various artist Ep, I sent her the « 92 Anthem » track. It worked pretty fine 😊, so we talked about making a complete EP. When I told her about the acoustics I still had and the other tracks I made since (at the origin they were only for the dancefloor), we decided to close the Album project together with this Epilogue. I like the idea of exclusive moments on the dancefloor so I often make tracks or edits, only to play them (not for releasing it like my France Gall Edit for instance). I am so happy about this story and releasing these tracks now!!! True people speak to true people 😊.

How does Paris feed your inspiration?
It’s a city with a long history in the arts both in the contemporary electronic music scene as well as being a haven for artists and creative people for centuries.

Are there any particular places that you go to regularly to become inspired from record stores and clubs to parks or places to drink/eat?
I love this city, It gave me my chance, and the mood was clearly boiling in the 2010’s thanks to my family at Concrete … So much great new artists, labels, collectives, parties… It gives you strength and inspiration!! I am most of the time in the 11e district where Synchrophone, Heartbeat Shop and not so far off Betino’s shop is… I really love Japan and I often go to eat in the 1st and 2nd district where all the Japanese restaurant are. But to be honest, there is so many good restaurants in this city… I could not be exhaustive 😊

Could you please share with us one or two of your own productions that you feel would be a good introduction to the world of S3A?
Of yeah of course, but I will not go on the first releases because they already had good coverage. Here you go :

« Something more », which was played at a Dekmantel Boiler Room by my friend Byron The Aquarius, it’s disco, easy to play and a dynamic banger 😊

« 92 Anthem » is the UK hardcore track I told you about earlier here … It is my second side 😊… For the little story, the real name of this track is « My answer to Stahil ». It was my response to Kink about his track :

As I know him and I used a little part of his « Boiler room » intro (with his authorisation of course) to make a track for Redbull. I made this little musical reply 😊 … Cute isn’t it ??

What’s next for you, have you been embracing the current global situation and spending time in the studio? Any particular projects on the horizon we should know about?
Yeah!! Home School for the kids and studio… During the two first lockdown weeks all was great with lot of inspiration. I made a lot of streaming live mixes for friend’s clubs and structures… But during the second month of lockdown I felt a little unmotivated, may be because I realized that I would not play at all for a long time…for the positive points, we all had the time to think and spend some time with our closest…. We saw the real part of the artists during those lockdowns, everyone communicated on the real part of them… It added a truth lightning on our communication … finally It made me realize that without you (public / promoters… who became sometimes good friends) I felt a little pointless, I must admit it …😊… I really can’t wait to get back on the stages and in the DJ booths to see you all again!!!!

Lastly could you please recommend something outside of music that you feel the world should know about, maybe a book, a movie, a painting or anything else that you’ve discovered recently?
During those lockdowns we watched TV shows and we had two highlights: Peaky Blinders, and Tiger King… This last one was so intense… It is true that I did not had this view of the USA. We all know The West, The Est but not the real middle of the US… I do not want to do any amalgams, but the characters are unbelievable… and sometimes it can help to understand why Trump, why guns, why, 2nd amendment…) … If any would come to see producer with those characters, I am sure he would decline …ahahaha… The sad point is Animals… All is so out of this world that we nearly forget them… But it is so heartbreaking … Animals should not be involved at any point in our craziness… This said, I want to believe that all of this crisis will help us to build a better « after world » (for all species).

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Cosmonection – Venezia (Wayward Remix)

Yassin — Tue, 24 Sep 2019 16:00:55 +0000

Parisian producer Cosmonection’s latest offering is one of those releases that’s infectious from the first listen and perfect for the dance floor. Titled Venezia, this three track EP delivers two hard-hitting originals, along with a remix courtesy from London duo and BB favorites, Wayward. “Venezia” leads the way with lush keys, 303 and glistening horns while “Radiant” dives a little deeper with high-end flourishes weaving in and out of melodic keys. Wayward concludes the EP with a mighty broken beat inspired remix which we have for you today!

Cosmonection’s Venezia EP is out September 27th on Beats Of No Nation. Make sure to pre-order you copy here!

https://youtu.be/cr8cl1KbOJs

Cosmonection – Venezia (Wayward Remix) (https://youtu.be/cr8cl1KbOJs)

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Bolting picks ~ January 2018

Florent — Tue, 02 Jan 2018 17:56:08 +0000

Photo by @shootfirstcoffeelater

Bolting Bits is, at its core, a collective of individuals, artists, DJs, producers, promoters, label heads and much more from locations all around the globe. Since so many of our contributors reside in various locales where electronic music is thriving, we felt that it would be appropriate to bring our readers a list of events in the places where our team is present. Furthermore, this list is personally curated, as these are events that we ourselves may be attending or would be attending if we were given the chance. Below you’ll find a list of parties that we think you should be going to in places such as our hometown Montreal and beyond.Check back monthly for a list of events in your hometown and if you don’t see your city here, feel free to submit an event at the bottom of this page and we’ll gladly add it to our list!

~ BERLIN ~

Jan. 4, 2018, Paloma Bar – Hot Concept: DJ Farao, Loggerheads
Jan. 6, 2018, Griessmuehle – CockTail d’Amore on Ice: Alex From Tokyo, Cormac
Jan. 6, 2018, Renate – Oben Unten Überall /w. Paranoid London, Daniel Wang
Jan. 11, 2018, Farbfernseher – Ein Donnerstag mit Jean Yann Records
Jan. 12, 2018, Prince Charles – Lumberjacks In Hell: Dan Shake, Marcel Vogel, Jamie 3:26
Jan. 13, 2018, Ohm – Version: Peverelist, Hops
Jan. 17, 2018, Watergate – Circle Session 3: Brame & Hamo, Ouer
Jan. 19, 2018, Prince Charles – Detroit Swindle b2b Soundstream, Session Victim
Jan. 19, 2018, ://aboutblank – Buttons Bird Watching: Paul Fleetwood, Paolo Di Nola

~ LONDON ~

Jan. 6, 2018, Corsica Studios – Coastal Haze ~ Label Night
Jan. 12, 2018, Phonox – Legowelt & Intergalactic Gary
Jan. 13, 2018, XOYO – Loves: Dimitri From Paris + Mylo
Jan. 13, 2018, The Jazz Cafe – Soul City presents: Max Graef
Jan. 18, 2018,The Jazz Cafe – Jazz Cafe & Tuckshop present: Alma Negra (Debut Live Show) + Mim Suleiman (Live) + Esa (DJ)
Jan. 20, 2018,Oslo Hackney – Locomotive Disco: Loz Goddard & Les Lawson
Jan. 27, 2018,XOYO – XOYO Loves: Young Marco (All Night Long)

~ MONTREAL ~

Jan. 5, 2018, Newspeak – Asquith (Lobster Theremin) w/ Adam Solomon & Moses Bélanger.
Jan. 6, 2018, Artgang – Voyage Funktastique : DR.MaD et Walla P.
Jan. 11, 2018, Datcha – Boccara: Marie Davison / Ginger Breaker / Jerico and DJ name.
Jan. 26, 2018, TBA – Hell In Paradise – Philippe Gratton, Erik Faulkner, Oku-Da (live)

~ NEW YORK ~

Jan. 5, 2018, Good Room – Mall Grab, Onkel-S, Nasty Nigel, Phoneg1rl, Andrew Devlin
Jan. 5, 2018, Jupiter Disco – Broke City: Gene Tellem & DJ Voices
Jan. 6, 2018, Good Room – Denis Sulta, Asquith, JDH, Bearcat, The Duchess
Jan. 6, 2018, Nowadays – Anthony Naples and DJ’J
Jan. 6, 2018, House Of Yes – HOY 2 Year Anniversary (Residents Only)
Jan. 11, 2018, Jupiter Disco – Cody Currie x Martín Miguel x Higgins
Jan. 13, 2018, Nowadays – Mister Saturday Night
Jan. 13, 2018, House Of Yes – Glitterati with Razor-N-Tape x HOMAGE
Jan. 13, 2018, Rose Gold – Goonroom Presents: Damiano von Erckert, Barbie Bertisch
Jan. 22, 2018, Bossa Nova Civic Club – Cinderella99 (Ryan Clover, Fabi Jugo, Jansen Scott)
Jan. 26, 2018, E-202, 1001 Rue Lenoir – Hell In Paradise – Philippe Gratton, Erik Faulkner, Oku-Da (live)

~ PARIS ~

Jan. 5, 2018, Batofar – Pont Neuf – ALVA ‘French Kicks’ Release Party
Jan. 5, 2018, Concrete – Concrete x Dekmantel
Jan. 13, 2018, Rex Club – Dure Vie : Chez Damier all Night Long
Jan. 13, 2018, T7 – Seth Troxler
Jan. 13, 2018, La Bellevilloise – Mona with Dan Shake, Jenifa Mayanja, Nick V + Dance Contest
Jan. 26, 2018, Nuits Fauves – DJ Boring & Franck Roger

~ SYDNEY ~

Jan. 7, 2018, Beach Road Hotel – Sounds Like A Good Time: DJ Boring, COEO
Jan. 19, 2018, Club 77 – Brighter Days 1st Birthday with Frits Wentink
Jan. 21, 2018, National Art School – Summer Dance ft. Dan Shake, Project Pablo

~ TORONTO ~

Jan. 06, 2018, TBA – Work in Progress x Verse: Octo Octa
Jan. 12, 2018 , TBA Warehouse – Trance presents Akasha System (with Ciel & Miles Caswell)
Jan. 13, 2018 , Bambi’s – Spellbound with Ciel & Roberto
Jan. 19, 2018, TBA – Deep Gold presents: Kyle Hall (Wild Oats, Detroit, US)
Jan 20, 2018, TBA – Sidetrack: Sadar Bahar

~ WASHINGTON, DC ~

Jan. 06, 2018, Flash – Mall Grab w/ Sticky Fingers Collective
Jan. 07, 2018, Eighteenth Street Lounge – Hold Tight w/ Cody Currie & Martín Miguel
Jan. 26, 2017, Flash – BLR009 Release Party w/ Joe Corti, Martín Miguel & Heights

Click here to submit an upcoming event.

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